Tuesday, August 8, 2017

Gurgaon : Movie Review

Gurgaon: Tale of Fratricide!
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Reviewer’s Thumb Mark

The first recorded fratricide was when Cain killed Abel (A Biblical Story). Abel, son of Adam and Eve was killed; God cast Cain into the wilderness, so Adam and Eve had to have a third son Seth, to propagate the entire human race.

Human history is of interest because you find in it many journeys of aspirations that is driven by good as well as bad intentions and deeds. The film Gurgaon is based upon the yesteryears Gurgaon that was slowly waking up to the designs of the land sharks who had a magnificent city with concrete jungle on their map displayed on their glass office table. A few years back, the Delhi-NCR woke up to the shocking news of the fratricidal fight that led to the murder of a business tycoon and his brother at a disputed south Delhi farmhouse. In the film Gurgaon too we find behind the veil of riches the tragic killings and spine chilling dark secrets.
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Shankar Raman’s directorial debut is commendable and the star casts have done justice to the characters they play. Shankar Raman seems to have taken utmost care not to tread the beaten path of many others who make such dark movies with loud background scores, car races, running with weapons behind rivals, chopping them into pieces and stuffing them in gunny bags, molesting and raping women, or with a sleazy item song etc. It seems Shankar Raman knows what he wants to convey without much melodrama.
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Pankaj Tripathi as Kehri Singh a man who rose from rags to riches needs special mention for his outstanding performance. Kehri Singh’s silent demeanour hides his past and he appears to be too scared to find his wicked shades in his young son Niki Singh ( Akshay Oberoi). Pankaj leaves no stones unturned to prove his mettle as an actor be it as the railway officer Satyaji in Masaan, Sultan of Gangs of Wasseypur, Principal of Nil Battey Sannata, the lover in Annarkali of Aarah and much more… Pankaj Tripathy has made a significant identity as a versatile actor in the tinsel town which by now has spanned more than a decade.
Image Courtesy: highonfilms.com
Akshay Oberoi as Nikki Singh, the elder son of Kehri Singh has matched his performance to the hilt with his other co-stars. Akshay’s eyes convey a lot – rejection, hurt, insecurity and hunger for power. Akshay Oberoi as Rajesh in the film ‘Laal Rang’ had a given a noteworthy performance but then, unfortunately, the audience didn’t lap up the movie which he did with Randeep Hooda. He is another actor who is on a rise.

Ragini Khanna as Preeto,  the US returned daughter of Kehri Singh has done a good job. Bound for the rest of her life to mutely agree to all the decisions her father makes for her just because he never said no to her. An apple of her father’s eyes she is the heir of his ill-gotten wealth and also a potential threat to the aspirations of her brother Nikki Singh. Shalini Vats has a studied silence as the wife of the indomitable Kehri Singh. She has buried many doubts and anger within her because of the fear of losing her family’s peace. Her love for Preeto and Kehri Singh considering Preeto as his lucky charm has many things to say.

The other characters like Chintu, the youngest son (Verma), Bhuppi (Aamir Bashir) brother of Kehri Singh who knows the darkest alley of  Kehri’s heart has wins the audience heart.
In short, film Gurgaon deserves a one time watch for its story and treatment. At a time when you wonder why Harry Met Sejal why not visit Gurgaon in a nearby theatre and spend time worth watching a movie which is made well. What needs to be remembered is the story of Cain and Abel still hold relevance in this age too, where distinctive human passions, pre eminently wounded pride, anger, jealousy, and fear exists.

.Life Connoisseur Movie Rating: 3.25/5

Cast: Pankaj Tripathy (Kehri Singh), Aamir Bashir(Bhuppi), Akshay Oberoi (Nikki Singh), Ragini Khanna (Preeto), Shalini Vatsa (Wife of Kehri Singh)

Genre: Crime Thriller

Director: Shanker Raman

Producers: Madhukar R. Musle, Ajay G. Rai, Alan McAlex, Nisha N. Sujan, Abbas Ali Ratansi

Screenplay & Dialogues by: Shanker Raman, Sourabh Ratnu, Vipin Bhatti, Yogi Singha
Music by: Naren Chandavarkar, Benedict Taylor

Lyrics: Manoj Yadav

Edited by: Shaan Mohammed

Cinematography: Vivek Shah

Production Company: A Jar Pictures Production

Presented by: M R Filmworks, Hashtag Film Studios

Release Date: 4th August 2017

Language: Hindi

Monday, August 7, 2017

Jab Harry Met Sejal : Movie Review

Jab Harry Met Sejal: What You Seek Is Seeking You!
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Reviewer’s Thumb Mark

According to the 13th century Persian Poet and Sufi Mystic Jalal ad-Din Muhammad Balkhi, popularly known as Rumi, “Jise Tum Dhoond Rahe Ho, Wohi Tumhe Dhoond Raha Hai”(What You Seek Is Seeking You).  Imtiaz Ali known for his philosophical messages in his movies try to draw a point through Harry and Sejal that we all are seeking something.  We seek that something that we miss in people and things around us so that our weaknesses is complemented with their strengths and in the process, we become complete together as ‘One’.

Harry, a travel guide working with Euro Travels is also a womanizer and according to him has been fired many times by his bosses and had to shift places to continue in his profession. He is aware of his weakness and he also tries hard to overcome this vice but admits nonchalantly that he finally falls prey to it. He is also found to escape by being confronted by his past girlfriends.
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Harry’s carefree life takes a turn when one of his tourist, Sejal, a Gujarati from India, decides to stay back in Amsterdam to search her lost engagement diamond ring by letting her fiancé and family members to fly back to India. Sejal, a chirpy girl all set for her marriage doesn’t want to be listed as an irresponsible girl who lost a diamond ring gifted by her fiancé and is determined not to live with that tag for the rest of her life. Sejal has no other option but to hold Harry for ransom with a threat that she will complain to his boss if he doesn’t accompany her. Harry for fear of losing his job and being deported from Europe decides to reluctantly be with Sejal in her search for her ring.

Imtiaz Ali’s effort to convey a beautiful message gets diluted due to its lengthy, repetitive, pointless and dumb scenes. The various locations Harry and Sejal travels in search of the ring is depicted by a map that pops up at regular intervals whereas all the locations seem same. After every hug, they land up at a new foreign location. What is interesting to note is, at one point of time Sejal herself says that all the places look the same. I wonder, whether Imtiaz himself realized late that he didn’t  make the places look distinct in his film nor his scenes. Imtiaz Ali falters in justifying the romance between Harry and Sejal by not giving us compelling reasons to believe what is happening onscreen. He also doesn’t build up the character of Harry in regard to why and how he left his family in Punjab and migrated to Europe. There is just a fleeting mention that he wanted to become a singer and at one point of time sings at full throttle a Punjabi song justifying that it is because he got used to singing louder than his tractor’s sound on the field.
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Shah Rukh Khan as Harrinder Singh aka Harry tries hard to give his best performance but at times looks tired, over doing things and aged. Anushka Sharma as Sejal sounds different because of her Gujarati accent and has given a decent performance. As actors both of them seems to be aware of the superficial and forced romantic scenes and dialogues. The two have shared the screen space for the third time. There past onscreen outing Rab Ne Banadhi Jodi and Jab Tak Hi Jaan were far better and had a better audience too.
It is unfortunate to mention that Shah Rukh Khan who has done such wonderful movies in the past, is found off late not so deft in choosing the right kind of stories and films he should be doing.

The songs and background score are ok. Lyrics by Irshad Kamil are good. In short, Jab Harry Met Sejal, the audience keep wondering why they met and by that time when they realize, they find the credit lines roll on the screen. Imtiaz Ali, no doubt has offered good movies like Jab We Met, Love Aaj Kal, Rockstar, Highway and Tamasha etc but this time he seems to be carried away by his own fancies somewhere getting disconnected with his huge audience who love his kind of films. What I would suggest is, if you are a diehard fan of SRK, go for it, otherwise, give a skip and wait for him to come up next time with a better one.

.Life Connoisseur Movie Rating: 2/5

Cast: Shah Rukh Khan (Harrinder Singh aka Harry), Anushka Sharma (Sejal Zaveri), Aru Krishansh Verma (Mayank), Evelyn Sharma (Neha), Chandan Roy Sanyal (Gas)

Genre: Romantic Comedy

Director: Imtiaz Ali

Producer: Gauri Khan

Written by: Imtiaz Ali

Music by: (Songs) Pritam, Diplo; (Background Music) Hitesh Sonik

Edited by: Aarti Bajaj

Cinematography: KU Mohanan

Production Company: Red Chillies Entertainment

Distributor: Yash Raj Films

Release Date: 4th July, 2017

Language: Hindi

Duration: 146 Minutes

Saturday, July 8, 2017

MOM : Movie Review

 ‘Mom’ Devoh Bhavah!
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Reviewer’s Thumb Mark

Debutant Director Ravi Udyavar’s film ‘MOM’ is a family crime thriller with Sridevi playing the pivotal role of a mom to two young daughters. After ‘English Vinglish’ in 2012, Sridevi appears to be quite determined to win your hearts by her terrific performance as a mother who is disturbed by the unpleasant events that has rocked her family life.

‘MOM’ reminds you of many other similar films - like Ashtar Sayed’s ‘Maatr’ featuring Raveena Tandon and Kim Yong-han’s South Korean crime drama film ‘Don’t Cry Mommy’. Having said this, the topic is so sensitive and socially relevant that such films still stirs your heart and leaves you disturbed. ‘MOM’ also reminds us that though as humans we have become hi-tech but live in a society that is still barbaric in its act.
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Mom features an ensemble of highly talented actors like Nawazuddin Siddiqui, Akshaye Khanna, Abhimanyu Singh, Sajal Ali (Pakistani Actor), Adnan Siddiqui (Pakistani Actor) and the versatile Sridevi. What MOM fails to offer is a unique story but it triumphs in terms of performance and handling the story sensitively.

Sajal Ali as Arya, the traumatized rape victim and Nawazuddin Siddiqui as the middle-aged Daryaganj based private detective Dayashankar Kapoor (DK) needs special mention for their stellar performances. Nawazuddin has always surprised us and he continues to do so in MOM too.

AR Rahman’s music and more than half a dozen songs in MOM fails to find space in your heart and mind even though they claim to have tried hard to be highly unconventional. MOM as a film nose dives when it stick to the traditional and clichéd Bollywood style climax which is highly predictable and boring. Shifting the films location for the climax seems forced and diffuses realism to a great extent.   
Image Courtesy: deccanchronicle.com
Moreover, Sridevi as Devki Sabharwal sounds more like a South Indian because of her accent that is quite contrast to her title ‘Mrs. Sabharwal’ in the film. Devki, a Biology teacher is found to be tech savvy and quite at ease in attempting burglary. Akshayye Khanna’s role as Mathew Francis, the super cop is limited to give more focus to Devki. Girish Kohli’s screenplay is flawed at many parts of the movie. Adnan Siddiqui as Anand has nothing substantial to do except feel helpless. Making a woman centric film doesn’t mean that one should undermine the other characters’ contributions and importance in developing the story to its hilt.  

In short, MOM is all about what you have seen and heard before but it is watchable because of its cast and performances. Moreover, ‘MOM’ is Sridevi’s 300th movie and has released in the 50th year of her film career and therefore, she deserves to be appreciated for her incredible roles she has played onscreen convincingly. So, go and watch for her and for the subject it handles.

.Life Connoisseur Movie Rating: 2.5 /5

Cast: Sridevi (Devki Sabharwal), Adnan Siddiqui (Anand), Nawazuddin Siddiqui (Dayashankar Kapoor), Akshaye Khanna (Mathew Francis), Sajal Ali (Arya), Abhimanyu Singh (Jaggan)

Genre: Family Crime Thriler

Director: Ravi Udyawar

Producers: Boney Kapoor, Sunil Maanchanda, Nresh Agarwal, Mukesh Talreja, Gautam Jain

Screenplay by: Girish Kohli

Story by: Ravi Udyawar, Girish Kohli, Kona Venkat Rao

Music by: A.R. Rahman

Edited by: Monisha R. Baldawa

Cinematography: Anay Goswami

Production Company: Mad Films, Third Eye Pictures

Distributor: Zee Studio, Sridevi Productions

Release Date: 7th July, 2017

Language: Hindi

Duration: 147 Minutes

Sunday, May 21, 2017

Hindi Medium : Movie Review

Hindi Medium vs. English Medium!
Image Courtesy: wikimedia.org 
Reviewer’s Thumb Mark

The film ‘Hindi Medium’ is hilarious and is a satirical take on the Indian Psyche of feeling elitist and progressive when one spouts English as a medium to converse irrespective of the people, situation and need around them. Colonization under the British Empire in the 18th and 19th centuries spread the language around the world. This led to the use of English as a lingua franca, where people with different languages and dialects started communicating with each other in English. Researchers also say that there is a close link between language and power. The USA with its huge dominance in almost all fields is the driving force behind English in the world today.

Image Courtesy: koimoi.com

Though, the film doesn’t venture into what I wrote above but it still raises many pertinent questions to analyze the reasons behind our penchant to speak English. While watching Director Saket Chaudhary’s ‘Hindi Medium’ it reminded me of the funny dialogue of Amitabh Bachchan from ‘Namak Halaal’ – “E lo kar lo baat. Arey aisi angrezi ave hain ke I can leave angrezi behind. I can talk English, I can walk English, I can laugh English because English is a funny language. Bhairon becomes barren and barren becomes Bhairon because their minds are very narrow …” Here, in Hindi Medium Irrfan Khan brings ample amount of humour through his dialogue delivery and acting skills. He is well complemented by the actress Saba Qamar as his wife who is a bit more qualified than her husband, a successful garment business man who sells in Chandni Chowk the original copies of garments designed by leading fashion designers in the country. 

Image Courtesy: bollywoodfarm.com
‘Hindi Medium’ written by Zeenat Lakhani and directed by Saket Chaudhary is a remake of the Malayalam film ‘Salt Mango Tree’ released in 2015 which is also a remake of 2014 Bengali Movie Ramdhanu. I haven’t seen the original one but I have watched the Malayalam film ‘Salt mango Tree’ where in Biju Menon has also essayed a fantastic role as the lead protagonist which was well appreciated. Those who have seen the Malayalam film may agree with me that there are scenes where you cannot stop comparing Biju Menon and Irrfan as actors not in terms of style but in terms of the effortlessness they bring on screen in essaying such a role.
Image Courtesy: theindianewz24.com
Though, Hindi Medium as a film is successful in keeping you engaged throughout the film with its funny situation and socially relevant message about how our education system has succumbed to commercialization but what needs to be noted is that when the film ventures into portraying unrealistic situations to convey its message the tempo dips. The couple shifting from Chandni Chowk to South Delhi’s posh residential area and from there to a slum area all in the name of getting an admission in one of the elitist schools in Delhi ‘Delhi Grammar School’ where Amrita Singh is the principal becomes too difficult to fathom. Zeenat and Saket could have made some more creative efforts to make certain scenes and dialogues more realistic and relatable.Deepak Dobriyal as Shyam Prakash a daily wage worker plays his role excellently. He evokes pain and empathy through his act. Tillotama Shome as an Educational Consultant is very good.

Image Courtesy: indianexpress.com
In short, Hindi Medium highlights the plight of the education system in our country and the impacts of Lord Macaulay’s sinister plans to destabilize India and Indianness. Though it ends being preachy and over dramatic yet it is worth watching. But before that, go through what Lord Macaulay said about India in 1835 in British Parliament – “I have travelled across the length and breadth of India and I have not seen one person who is a beggar, who is a thief. Such wealth I have seen in this country, such high moral values, people of such caliber, that I do not think we would ever conquer this country, unless we break the very backbone of this nation, which is her spiritual and cultural heritage, and, therefore, I propose that we replace her old and ancient education system, her culture, for if the Indians think that all that is foreign and English is good and greater than their own, they will lose their self-esteem, their native self-culture and they will become what we want them, a truly dominated nation”.

.Life Connoisseur Movie Rating: 3.5 /5

Cast: Irrfan Khan (Raj Batra), Saba Qamar (Mita), Deepak Dobriyal (Shyam Prakash), Tillotama Shome, Swati Das (Tulsi), Dishita Sehgal (Piya), Hiwale ( young Raj Batra), Amrita Singh (School Principal), Sanjay Suri, Neha Dhupia

Genre: Comedy Family Drama

Director: Saket Chaudhary

Producers: Bhushan Kumar, Krishan Kumar, Dinesh Vijan

Written by: Zeenat Lakhani

Music by: Sachin-Jigar; Background Score by Amar Mohile

Edited by: A. Sreekar Prasad

Production Company: T-Series, Madddock Films

Distributor: T-Series

Release Date: 19th May, 2017

Language: Hindi

Friday, May 5, 2017

CIA: Comrade in America (Movie Review)

CIA: Love Can Make You Cross Borders!
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Reviewer’s Thumb Mark

Satyajit Ray once said – “The director is the only person who knows what the film is about”.

If I take a cue from his quote I doubt whether Amal Neerad  himself did know what the film he is making about here in this case of ‘Comrade in America (CIA). The name and some of the early trailers which were released are misleading. It makes one feel that it has something to do with revolution and the erstwhile communist leaders like Che Guevara. Rather the film CIA reduces these communist leaders like Lenin, Karl Marx and Che Guevara into caricatures and put them into funny scenes which has nothing to do with its ideology and history.

CIA is about a young man called Aji Mathew aka Ajipan from Pala who has left leanings and is a staunch student leader of his town. Aji Mathew is a hero in his college and among his friends as he is found being approached by students to settle scores and solve issues. Ajipan and his father are at loggerheads politically but have an untold understanding and liking for each other which goes beyond their political squabbles. Comrade Aji Mathew falls in love with a US returned girl Sarah who leaves him and goes back to US under family pressure. The rest is Comrade Ajipan’s adventurous travel to the US to find his love.
Image Courtesy: indianexpress.com
The story begins with a scene where DYFI (Democartic Youth Federation of India) a youth wing of Communist Party of India (Marxist) (CPI (M)) leading an agitation against the finance minister for reasons known only to Amal Neerad the Director and Shibin Francis the Script Writer. Amal Neerad and Shibin Francis fails to develop completely any of the characters they parade on screen and ends up delivering an under cooked film which is laughable and trashy.

CIA claims to dedicate this film to millions of migrants in the world and does a veiled attack on US President Trump’s proposed border wall that would eventually stop animals and people that have migrated for centuries across the US’s southern border with Mexico. Is it a formula cleverly devised by the current filmmakers to piggyback some current social and political issues which they superficially and with least sincerity turn into stories with the false hope of making it into a runaway success? The very recent movie ‘The Great Father’ of Mammooty was a highly irresponsible and insensitive movie made on child abuse and rape. These movies ridicule and reduce sensitive and socially relevant issues by superficial treatments and less researched story telling. Raveena Tandon’s ‘Maatr’ is another movie that is inspired by the Nirbhaya case that tries to piggy ride a burning issue and reduces it into heroism with some absurd and unrealistic scenes.
Image Courtesy: indiatimes.com
It’s high time that the current lot of filmmakers become more sensitive and responsible in at least picking up social issues when they decide to make them into films.
Having said this there are movies like ‘Takeoff’ which made a tremendous impact on the viewers by portraying the political issue of addressing the ordeal of Indian nurses in Tikrit in Iraq and their rescue from there to India. This directorial debut of editor turned filmmaker Mahesh Narayan received all round appreciation for its sensible handling of the incident.

In short, Dulquer fans can throng the theatres to watch their hero perform with utmost ease but unfortunately in a nonsensical movie.  The girls Karthika Muraldharan and Priyanka Nair in the movie have nothing to do and are neither good nor memorable. Siddique as Dulquer’s father steal the show by his act and that is the only relief in the movie. Comrade Lenin, Karl Marx and Che Guevara might be planning to make a comeback to avenge this political disaster of theirs in CIA (Pun Intended).

Life Connoisseur Movie Rating: 2 /5

Cast: Dulquer Salman, Karthika Muralidharan, Priyanka Nair, Chandini Sreedharan, Soubin Shahir, Jinu Joseph, Dileesh Pothan, John Vijay, Vishnu Gopal Nair, Nandamuri Balakrishna

Genre: Rom Com

Director: Amal Neerad

Producer: Ajmal Khalid

Written by: Shibin Francis

Music by: Gopi Sunder

Cinematography: Renadive

Edited by: Praveen Prabhakar

Production Company: Amal Neerad Productions

Distributor: A & A Release

Release Date: 5th May, 2017

Duration: 135 Minutes

Language: Malayalam

Sunday, April 23, 2017

The Zookeeper's Wife : Movie Review

The Zookeeper’s Wife: A Story of Compassion & Courage!
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Reviewer’s Thumb Mark

Niki Caro’s ‘The Zookeepers Wife’ is not only the horrific depiction of what happened in Warsaw, Poland when Nazis occupied that city in 1939 during the Second World War, but also the depiction of a good-hearted couple who staunchly believed in human values above social, religious and racial discrimination. The film is based on the non-fiction book of the same name by Diane Ackerman, narrating how the Jews survived and got rescued from the Nazi invasion. It is the story of how some ordinary people become extraordinary and rise to the occasion during crisis. There are many in the human history like them who have done so and the film The Zookeeper’s Wife is about the Zabinskis and how their Warsaw Zoo became a hideout for hundreds of Jews who were under the radar of the brutal Nazi forces. The Nazi occupation of their city created chaos and turbulence and the Jews were hunted down and captured. The film reveals that only 6% of the Warsaw population survived the war.

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We know how the Germans under the dictatorship of Hitler believed that they are he Aryans of the world and are born to rule the whole world. The holocaust and its aftermath are still a nightmare for those who go through the pages of world history and would pray not to ever witness or hear about it again. But unfortunately the current international scenario and the happenings in Syria and many other countries are not less than what we read in the history. The Zookeeper’s Wife is a gentle reminder for many of us to rise up to the occasion and cease to be ordinary and play our role to safeguard human values and lives in a world of war mongers and religious animosities.

Image Courtesy: vox-cdn.com
Jessica Chastain’s Antonina Zabinski is an animal lover and a good soul who not only understands what they say by looking deep into their eyes but also knows how to keep her visiting guests happy around the zoo. She and her husband Jan (Heldenbergh), both are found in a dilemma leaving their Zoo and abandoning the animals at the mercy of the invading Nazi army. Amidst bombings and killings they decide to stay back to take care of the remaining animals who survived the bombings. But destiny had something else in store for them – a greater responsibility that they too didn’t know would be always be remembered for what they did under their limited capacities.

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Niki Caro ensures to convey the gravity of the Nazi invasion and their brutality not through gory scenes and violence but in a subtle way which still leaves a deep impact on the viewers to imagine the plight of the victims and survivors then. Both Jessica and Heldenbergh have given an awesome performance which moves you and also at the same time keeps you alert along with them so that you are not caught by the Nazis. Daniel Bruhl as Lutz Heck the German Head Zoologist of Hitler’s team plays his role to its hilt. His weakness for Jessica and his loyalty towards Hitler are too contrasting emotions he brings on the front with great ease. It becomes difficult to understand him because he is mysterious, cruel and at the same time he appears to be a lover. By the time we decipher he becomes not what we expect him to be and this character of his keeps you on tenterhooks.

The beauty of the movie is that though it depicts one of the most horrific black chapters of human history yet it ends with a ray of hope and positivity. It reiterates the efforts and good intentions of good people in the world who believe that if you fight for justice and compassion with courage you will definitely sail through turbulence and reach the shore of harmony and co-existence despite being different in many aspects for each other as individuals, country, race and religion. Go and watch ‘The Zookeeper’s Wife’ because we are living at a time when the media and the news around us reminds us its high time we play our role to safe guard humanity and brotherhood across the globe.

 Life Connoisseur Movie Rating: 3.5/5

Cast: Jessica Chastian (Antonina Zabinski), Johan Heldenbergh (Jan Zabinski), Michael McElhatton (Jerzyk), Daniel Bruhl (Lutz Heck)

Genre: Biographical War Drama

Director: Niki Caro

Producers: Jeff Abberley, Jamie Atriccof, Diane Miller Levin, Kim Zubick, Julia Blackman

Based on: The Zookeeper’s Wife by Diane Ackerman

Screenplay by: William Wheeler

Music by: Harry Gregson-Williams

Cinematography: Andrij Parekh

Edited by: David Coulson

Production Companies: Scion Films, Electric City Entertainment, Tollin Productions, Rowe/Miller Productions

Distributors: Focus Features

Release Date: 21st April, 2017

Duration: 126 Minutes

Language: English